I started this blog to give you somewhat of a peek into the goings on in my studio and I'm afraid I've been a bit negligent in that area. Thing is, being a very visual person I'm always more attracted to blogs with good photos, and although in my life at large I try to pull the camera out whenever the spirit moves me, in my studio when I'm up to my elbows in metal shavings and resin the thought of pulling out the camera is not always such an intuitive thing.
During a phone call about a month ago a very special friend of mine gave me a gentle nudge to start posting more about what goes on in the studio. It was just the reminder I needed to bring me back to the reason I started this blog...to let you know what's up in the studio!
To begin to answer that I will attempt to catch you up on what I've been up to lately.
First off, I finished this piece, which turned out to be more of a challenge than I ever would have expected, but worth every second for two reasons: 1) I really love how it turned out, and 2) It went to Suzanne in North Carolina, who is one of those truly amazing people who, one day if I'm lucky I hope I will meet in "real life".
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OK, and do you remember this series?
I've finally begun production on what will be a new addition to the series. First step was to hand-score sheets of glass into gridlines...a pretty time and labor-intensive task. I wish I had gotten a photo of the sheet of glass "gridded" up...it looks like this but on a much larger scale:
Each little rectangle you see is about 1/8" x 1/2".
In the photo above you're seeing a gridded section of glass that is about 1" x 6".
After a whole lot of snapping I end up with a jar of tiny glass bars:
These are the beginnings of the "Parts Lite" series. These are the elements that make it all work.
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The next exciting piece of news is that I am starting another "stock certificate" series. I was crazy excited to find these vintage and antique stock certificates because they all had such amazing details in them...they sure don't print things like they used to:
I love the intricate details in all of them, but my very favorite right now is this one:
My number one rule with antique/vintage documents is to scan them before I start to cut them, that way once I use up all of the originals I still have a visual record of them. This also leaves me with the option of using the images in designs, even if the paper isn't the original vintage stock.
I'm usually pretty good about following this "number one rule", but with this one I was too excited to get started on it...I couldn't resist doing SOMETHING with the beautiful ornament on the corner of the document right away...and besides, the document has 3 more corner ornaments, so I still have a few pristine corners to scan.
Here it is cut apart and formed into a couple of dimensional elements:
And suspended in resin (the little center star has gold leaf added to the back, so when it is curled open you get just a glimpse of gold inside):
I'm very excited about this piece and once again find myself prematurely envious of a future wearer!
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And finally...today's desk:
Thanks for always bearing with me! I'll be back with more progress.
Best-
-c